The third of seven films Bob Hope and Bing Crosby made together during the 40s and 50s, Road to Morocco is pure entertainment that feels fresh and funny today.
The plot is never too important in these sorts of things, acting as a way of dumping the pair in the middle of nowhere so that they can wisecrack their way back home. In this case, the pair are shipwrecked after Hope blows up the vessel they were stowing away on, before drifting into Morocco.
Of course, being 1940s Hollywood, this is the 1940s Hollywood version of Morocco. Everybody is white and speaks either heavily accented English or gibberish. But, the series was always intended as a spoof of the hit film genres of the day, so it feels more like a parody of those tropes rather than a celebration.
The non stop wisecracking from Hope is broken up with an occasional musical interlude from Crosby, and Dorothy Lamour provides the love interest. There is also a charming and refreshing sense of self awareness. Hope regularly breaks the fourth wall to talk to the audience or complain about Crosby sabotaging his Oscar hopes. Even a Camel stops to comment on how this is the screwiest picture he's was ever been in.
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