Saturday, 15 April 2017

Get Out (2017)


Horror and satire seem to make for a potent mix and Get Out is the latest entry in this sub-genre, joining the likes of The Stepford Wives and They Live. With genuine scares and a relevant social message, the film is a pitch perfect mix of excruciating satire and nerve shredding horror

Chris Washington (a star-making turn from British actor Daniel Kaluuya) is a young black man getting ready to visit the family of his white girlfriend, Rose Armitage at the upmarket country estate where they live. But no matter how friendly and welcoming everyone is, there is no denying something weird is going on. Why do the family's black housekeeper and grounds keeper, Walter and Georgina, seem so passive and mindless? What is going on with Mrs Armitage's hypnosis techniques? And why is one of the Armitage's guests warning Chris to "Get Out"?

This is a remarkably assured d├ębut from writer director Jordan Peele, who manages to get the balance between shocks and satire right, so that one does not overwhelm the other, and makes the shocks and satire genuinely shocking and funny respectively. The script is a master-class in discipline and structure, with hardly a wasted scene or line, clever set-ups that all pay off, and some great lines ("I would have voted for Obama a third time if I could"). Peele also throws in plenty of horror tropes that genre fans will instantly recognise, but does not rely on them to plug gaps in the story.

The cast is also uniformly excellent, led by Daniel Kaluuya as Chris, trying to retain his cool and dignity in the face of increasingly weird and uncomfortable events. As the Armitage parents, Catherine Keener and Bradley Whitford combine a welcoming charm with an unnerving forcefulness and underlying menace, and Caleb Landry Jones is memorably obnoxious as Rose's brother Jeremy.

Race is always in the news, but recent events have made this film feel even more relevant. However, what makes Get Out so different and successful is the unexpected way the topic is tackled. There are some scenes of Chris falling foul of authority figures, but the main focus of this theme is elsewhere. Equally hurtful is the patronising privileged condescension from the white liberals at the Armitage house. Despite their friendly attempts to ingratiate themselves, for them, black people are judged purely in terms of how useful they are.



Get Out Trailer 02.24.2017 by CineManiaTV